https://ryanshin.com Ryan Shin Tue, 31 Aug 2021 21:29:49 +0000 https://ryanshin.com en https://ryanshin.com/2021-Venice-Biennale Tue, 31 Aug 2021 21:29:11 +0000 Ryan Shin https://ryanshin.com/2021-Venice-Biennale Projects Four Dioramas - 2021 Venice Biennale&nbsp; Curatorial Design / Pavilion Construction Professional Work at NEMESTUDIO&nbsp; Year: 2019 - 2021Location: Sale d'Armi, Arsenale, Venice.Venue: Pavilion of Turkey, 2021 Venice Architecture BiennaleType: Exhibition Design + Installation (Built). NEMESTUDIO project team: Neyran Turan (partner-in-charge), Ryan Shin,&nbsp;Ian Erickson (initial stage).&nbsp;Production team: WeExhibit; coordinated by Margherita Muzzi (WeExhibit) and Selen Erkal (İKSV). Pavilion of Turkey is curated by Neyran Turan. Assistant curators: Ece Emanetoğlu, Melis Uğurlu, Samet Mor, and Betsy Clifton. Editorial assistant: Ian Erickson. Graphic design: Paleworks (Yagmur Ruzgar + Ozan Akkoyunlu). Coordinated by the Istanbul Foundation for Culture and Arts (İKSV). Press Coverage/Reviews: Metropolis, Elle Decor, Domus, Architects' Journal, Metalocus, Tracés, The Architects' Newspaper, Detail Magazine, Inexhibit, e-flux, ArchDaily, World Architecture, Açık Radyo, NTV Radyo, ArtAsiaPacific, Gazete Oksijen, Art Dealer Street, Miliyet Mimarlik, Daily Sabah, TRTWorld. Four Dioramas is the physical exhibition of Architecture as Measure, the Pavilion of Turkey at the 2021 Venice Architecture Biennale. Designed by NEMESTUDIO, the exhibition consists of four dioramas and a large table. The exhibition project provokes a renewed planetary imagination by looking at the politics and nuances of the seemingly mundane aspects of architectural construction and juxtaposes these aspects with their planetary dimensions, such as geographies of resource extraction, material supply chains, maintenance, and care in Turkey. The exhibition is presented through a physical installation, an online publication, and storytelling.Aligned with this main premise and content, the exhibition design utilizes four dioramas that stage both generic architecture sites with banal details and specific mise-en-scènes of an imaginary story taking place in Turkey. Each diorama consists of a wallpaper drawing by NEMESTUDIO, which provides a backdrop to the depicted scene. Visitors can walk inside the dioramas as if they are in the interior space of an architectural model. As the dioramas collide the architectural and the planetary and the banal and the spectacular, ideas of foreground and background are constantly flipped and negotiated. <img width="1941" height="1271" width_o="1941" height_o="1271" data-src="https://freight.cargo.site/t/original/i/d920c7a2aef5db290c7a6b8a7be585201b458b6aa4ff1c598692172ea6c484e3/22.JPG" data-mid="117787590" border="0" src="https://freight.cargo.site/w/1000/i/d920c7a2aef5db290c7a6b8a7be585201b458b6aa4ff1c598692172ea6c484e3/22.JPG" /> <img width="1940" height="1276" width_o="1940" height_o="1276" data-src="https://freight.cargo.site/t/original/i/8e905c288abf502c4c1a82cfc6aab504a8daff763b651912059bc933d374c6b9/18.JPG" data-mid="117787724" border="0" src="https://freight.cargo.site/w/1000/i/8e905c288abf502c4c1a82cfc6aab504a8daff763b651912059bc933d374c6b9/18.JPG" /> <img width="1940" height="1271" width_o="1940" height_o="1271" data-src="https://freight.cargo.site/t/original/i/ac9e37aa5fcacee45199ac0f5c0f776df749d3b3336f547b67215da0664f6ace/6.JPG" data-mid="117787755" border="0" src="https://freight.cargo.site/w/1000/i/ac9e37aa5fcacee45199ac0f5c0f776df749d3b3336f547b67215da0664f6ace/6.JPG" /> <img width="1936" height="1272" width_o="1936" height_o="1272" data-src="https://freight.cargo.site/t/original/i/902ea811ac255a768e429807b4c70916308fca30f52425a2e8ea4745726d7ed6/4.JPG" data-mid="117787901" border="0" src="https://freight.cargo.site/w/1000/i/902ea811ac255a768e429807b4c70916308fca30f52425a2e8ea4745726d7ed6/4.JPG" /> <img width="1938" height="1276" width_o="1938" height_o="1276" data-src="https://freight.cargo.site/t/original/i/01ccbcf11ff91aa3ebeb44919c607e1b0812beec90704ac9a5957dc8f450bd4f/7.JPG" data-mid="117787905" border="0" src="https://freight.cargo.site/w/1000/i/01ccbcf11ff91aa3ebeb44919c607e1b0812beec90704ac9a5957dc8f450bd4f/7.JPG" /> <img width="1947" height="1273" width_o="1947" height_o="1273" data-src="https://freight.cargo.site/t/original/i/d940306a58344baeb04e7b1827decef71d203876438890dc4cdd7e4c17f42690/14.JPG" data-mid="117787774" border="0" src="https://freight.cargo.site/w/1000/i/d940306a58344baeb04e7b1827decef71d203876438890dc4cdd7e4c17f42690/14.JPG" /> <img width="1938" height="1270" width_o="1938" height_o="1270" data-src="https://freight.cargo.site/t/original/i/bdf6340467fcd175a5a3305a1e949529eba25535a58f24381535d8f47859e4ab/11.JPG" data-mid="117787992" border="0" src="https://freight.cargo.site/w/1000/i/bdf6340467fcd175a5a3305a1e949529eba25535a58f24381535d8f47859e4ab/11.JPG" /> <img width="1943" height="1270" width_o="1943" height_o="1270" data-src="https://freight.cargo.site/t/original/i/5c2b50d00f14e384a2ec5a3f6f72dff812e3f7614042b3524db1061cab30c14c/9.JPG" data-mid="117788648" border="0" src="https://freight.cargo.site/w/1000/i/5c2b50d00f14e384a2ec5a3f6f72dff812e3f7614042b3524db1061cab30c14c/9.JPG" /> <img width="1920" height="1314" width_o="1920" height_o="1314" data-src="https://freight.cargo.site/t/original/i/d54c385b75177925ec7089d0f3f64a0e37a069bc7f1d339904ca64fbe411e527/1920px_Plan-Oblique_Option-1.jpg" data-mid="117789921" border="0" src="https://freight.cargo.site/w/1000/i/d54c385b75177925ec7089d0f3f64a0e37a069bc7f1d339904ca64fbe411e527/1920px_Plan-Oblique_Option-1.jpg" /> <img width="3413" height="1920" width_o="3413" height_o="1920" data-src="https://freight.cargo.site/t/original/i/47d989dabf35c4144678a15b0e417419ac5aefc5ca8d3f210d5a0cca0e8d2b8e/Narrative-Vignette-1---Theater-Play.jpg" data-mid="117786629" border="0" src="https://freight.cargo.site/w/1000/i/47d989dabf35c4144678a15b0e417419ac5aefc5ca8d3f210d5a0cca0e8d2b8e/Narrative-Vignette-1---Theater-Play.jpg" /> Contents presented on this page are produced independently except the photographs of the built pavilion. Worked directly with the partner-in-charge of NEMESTUDIO.&nbsp;© NEMESTUDIO https://ryanshin.com/Architectural-League-of-New-York Tue, 31 Aug 2021 21:29:49 +0000 Ryan Shin https://ryanshin.com/Architectural-League-of-New-York Projects Architectural League of New York -&nbsp; Beaux-Arts Ball on TableProfessional Work at NEMESTUDIO Year: 2021Type: Virtual Installation (Built)Client: Architectural League of New York.Venue: SpatialWeb in partnership with Beneville Studios.Project team: Neyran Turan, Ryan Shin.Sound Design: Evan Zierk. A table with a model and some objects. A model of five rooms. A big room surrounded by four other rooms. Shallow stage sets posed as deep rooms. Fake perspectives read against their original depths. A trumpet accidentally dropped in a bathtub. A giant Earth on the kitchen table. A disco ball popping up in the bedroom. An outdoor space on a table. Designed as a virtual party space for the Architectural League of New York's annual Beaux-Arts Ball, the project is composed of a semi-open central room surrounded by four rooms. While the perspectival views to these adjacent rooms give a comforting sense of depth, in closer inspection the central space reveals their visual infidelity and shallowness. As a reflection on the conflation of domesticity and publicity of everyday life due to the COVID-19 pandemic, the Beaux-Arts Ball&nbsp;spills slowly into the space of the home. Diverse bodies are alone and remote but at an intimate party on a table together. <img width="1087" height="600" width_o="1087" height_o="600" data-src="https://freight.cargo.site/t/original/i/c547f5954f47d5650ad5685cb9e9fbcbc07f3dc5e7af96dd92341eb537204a34/NEMESTUDIO_BeauxArts-Ball_ArchLeague_1200X630.png" data-mid="117790198" border="0" src="https://freight.cargo.site/w/1000/i/c547f5954f47d5650ad5685cb9e9fbcbc07f3dc5e7af96dd92341eb537204a34/NEMESTUDIO_BeauxArts-Ball_ArchLeague_1200X630.png" /> <img width="1067" height="600" width_o="1067" height_o="600" data-src="https://freight.cargo.site/t/original/i/eae64ae2e82faf6feb08e340857b7dd0fa5cb01bc31b6c9a9c15e0e9ccc64899/210308-Dining-Room-Oblique_16_9_brighter_1200pixels.png" data-mid="117790190" border="0" src="https://freight.cargo.site/w/1000/i/eae64ae2e82faf6feb08e340857b7dd0fa5cb01bc31b6c9a9c15e0e9ccc64899/210308-Dining-Room-Oblique_16_9_brighter_1200pixels.png" /><img width="600" height="600" width_o="600" height_o="600" data-src="https://freight.cargo.site/t/original/i/858e724dbeda06f7795919cd6b0b71f8aefef76e2452c4f9bc65476f1dc9cf6b/210308-FINAL_Vector-Drawing_Dining-Room_Gradient.png" data-mid="117790208" border="0" src="https://freight.cargo.site/w/600/i/858e724dbeda06f7795919cd6b0b71f8aefef76e2452c4f9bc65476f1dc9cf6b/210308-FINAL_Vector-Drawing_Dining-Room_Gradient.png" /><img width="600" height="600" width_o="600" height_o="600" data-src="https://freight.cargo.site/t/original/i/aaa34e31ff2a6e92c5eb57226332ab5152a5c0275673042f07f666f70bdc960e/210308-FINAL_Vector-Drawing_Living-Room_Gradient.png" data-mid="117790213" border="0" src="https://freight.cargo.site/w/600/i/aaa34e31ff2a6e92c5eb57226332ab5152a5c0275673042f07f666f70bdc960e/210308-FINAL_Vector-Drawing_Living-Room_Gradient.png" /> Contents presented on this page are produced independently. Worked directly with the partner-in-charge of NEMESTUDIO. © NEMESTUDIO https://ryanshin.com/Alone-Together Sat, 06 Jul 2019 17:51:55 +0000 Ryan Shin https://ryanshin.com/Alone-Together Projects Alone Together Undergraduate Option Studio at the University of California, Berkeley collaboration with&nbsp;Dolin W. Advisor: Turan N. Critics: Atwood A., Choksombatchai R., Epstein-Jones D., Hirschman S., Jaehning D., Orkand D., Pakravan R., Price B., and Spiegel D. <img width="1920" height="1278" width_o="1920" height_o="1278" data-src="https://freight.cargo.site/t/original/i/e52aeca300de3f8339d029d5ded904c470a6309ee5a465ff4fc9f2f86944e613/2018-SHIN-DOLIN-Site-Plan-1-6000.jpg" data-mid="117757105" border="0" src="https://freight.cargo.site/w/1000/i/e52aeca300de3f8339d029d5ded904c470a6309ee5a465ff4fc9f2f86944e613/2018-SHIN-DOLIN-Site-Plan-1-6000.jpg" /> This studio broadly focused on hoarding and collection of objects in relation to architecture. Then we studied building typologies that relate to accumulation such as field conditions and group forms, as well as program typologies; fulfillment centers, data centers, self-storage buildings as a way to lead in to our thesis projects in which we determined our own program and formal typology. This project is a housing project that exists within a grey zone between traditional models of ownership and co-operative living, this building attempts to challenge contemporary notions of productivity and efficiency. Co-operative housing suggests some level of shared space, meaning residents cohabitate some predefined program. Interaction is encouraged, and notions of ownership are blurred. Our project rejects these two models as we take the programmatic diagram of the single family home, and scale it instead of arraying it. <img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/1b24d88b85c66bb51c9cffbeec1326975908c9af2aeb6b8ed89ecc2dca4ab7eb/Diagram-Individual-Landscape-01_o.jpg" data-mid="117757083" border="0" src="https://freight.cargo.site/w/1000/i/1b24d88b85c66bb51c9cffbeec1326975908c9af2aeb6b8ed89ecc2dca4ab7eb/Diagram-Individual-Landscape-01_o.jpg" /> <img width="5000" height="3332" width_o="5000" height_o="3332" data-src="https://freight.cargo.site/t/original/i/8ecf86ccf652c6339c70b259bcfe58631918157f5455c76d6f06f83c14ee23fb/Diagram-Individual-Landscape-02_o.jpg" data-mid="117757084" border="0" src="https://freight.cargo.site/w/1000/i/8ecf86ccf652c6339c70b259bcfe58631918157f5455c76d6f06f83c14ee23fb/Diagram-Individual-Landscape-02_o.jpg" /> <img width="3601" height="2400" width_o="3601" height_o="2400" data-src="https://freight.cargo.site/t/original/i/34603e46cf47abb8f9f96763f6f6e8fd15ea090aa66b42b56371c94052e324ac/Diagram-Individual-Landscape-03-03.jpg" data-mid="117757101" border="0" src="https://freight.cargo.site/w/1000/i/34603e46cf47abb8f9f96763f6f6e8fd15ea090aa66b42b56371c94052e324ac/Diagram-Individual-Landscape-03-03.jpg" /> Program distribution occurs at the scale of the building, not the unit, taking advantage of the group form typology to provide a formal separation between internal activities. For example, one volume contains all the kitchens in the building, while another contains all the living rooms. <img width="5000" height="3332" width_o="5000" height_o="3332" data-src="https://freight.cargo.site/t/original/i/c013d88e47b4dbc465d9126c20658326cf5ff0cf4ea7b0d353a0612f5efc617a/Chunk-Drawings-Individual-Landscape-02_o.jpg" data-mid="117757087" border="0" src="https://freight.cargo.site/w/1000/i/c013d88e47b4dbc465d9126c20658326cf5ff0cf4ea7b0d353a0612f5efc617a/Chunk-Drawings-Individual-Landscape-02_o.jpg" /><img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/4c2da718399be1b61f055cfcbedf6a273ea228ffdccc400d9da472a110c33886/Chunk-Drawings-Individual-Landscape-01_o.jpg" data-mid="117757085" border="0" src="https://freight.cargo.site/w/1000/i/4c2da718399be1b61f055cfcbedf6a273ea228ffdccc400d9da472a110c33886/Chunk-Drawings-Individual-Landscape-01_o.jpg" /><img width="5000" height="3334" width_o="5000" height_o="3334" data-src="https://freight.cargo.site/t/original/i/02bde8c08d12b10f7adcb4279489dc6d67c3769210a8aaf27f57563bf92106bc/Chunk-Drawings-Individual-Landscape-03_o.jpg" data-mid="117757088" border="0" src="https://freight.cargo.site/w/1000/i/02bde8c08d12b10f7adcb4279489dc6d67c3769210a8aaf27f57563bf92106bc/Chunk-Drawings-Individual-Landscape-03_o.jpg" /> This produces an idiosyncratic floor plan, which adapts to both form and program. <img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/414fcf7562461420864c9bb6a16a732c4d6d84a59fb1784afdf63a328eb41032/190714-Final-Floor-Plan-01_o.jpg" data-mid="117757091" border="0" src="https://freight.cargo.site/w/1000/i/414fcf7562461420864c9bb6a16a732c4d6d84a59fb1784afdf63a328eb41032/190714-Final-Floor-Plan-01_o.jpg" /> <img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/8441766858e0d9f195928417b56d42ec7d9598f5becce3793c0da987a45ea8ca/190714-Final-Floor-Plan-02_o.jpg" data-mid="117757089" border="0" src="https://freight.cargo.site/w/1000/i/8441766858e0d9f195928417b56d42ec7d9598f5becce3793c0da987a45ea8ca/190714-Final-Floor-Plan-02_o.jpg" /> <img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/1322b5a5803ca409d59ab9bf5792ab2ec19ac1662ba2786e34a62c7b42c86f9b/190714-Final-Floor-Plan-03_o.jpg" data-mid="117757090" border="0" src="https://freight.cargo.site/w/1000/i/1322b5a5803ca409d59ab9bf5792ab2ec19ac1662ba2786e34a62c7b42c86f9b/190714-Final-Floor-Plan-03_o.jpg" /> This project begins with an initial interest in group form project typologies, buildings that read as assemblies, and investigates the inevitable part to whole relationships that emerge within these formal compositions. Through the manipulation of rectangular volumes on a cartesian grid by way of conic sections, the project’s form begins to distort itself; it clearly reads as an aggregate, yet the edges of the objects are blurred. It becomes a building of many parts and many wholes. <img width="1296" height="864" width_o="1296" height_o="864" data-src="https://freight.cargo.site/t/original/i/def283133477c2d50137bd9dc1e54bfc335b24b87e9f35224233b01e6a7ee2cc/Elevation-1.jpg" data-mid="117757095" border="0" src="https://freight.cargo.site/w/1000/i/def283133477c2d50137bd9dc1e54bfc335b24b87e9f35224233b01e6a7ee2cc/Elevation-1.jpg" /> <img width="1296" height="864" width_o="1296" height_o="864" data-src="https://freight.cargo.site/t/original/i/4738a5cd0886d8670f1b20505f6915d96cdca3e655354d45c9872ee6ce67cf8b/Elevation-3.jpg" data-mid="117757097" border="0" src="https://freight.cargo.site/w/1000/i/4738a5cd0886d8670f1b20505f6915d96cdca3e655354d45c9872ee6ce67cf8b/Elevation-3.jpg" /> <img width="1296" height="864" width_o="1296" height_o="864" data-src="https://freight.cargo.site/t/original/i/ae954323596b31cfee429710e3829fe57e8098abfe1dae0dea5364a8ce5836f4/Elevation-2.jpg" data-mid="117757096" border="0" src="https://freight.cargo.site/w/1000/i/ae954323596b31cfee429710e3829fe57e8098abfe1dae0dea5364a8ce5836f4/Elevation-2.jpg" /> <img width="1296" height="864" width_o="1296" height_o="864" data-src="https://freight.cargo.site/t/original/i/f32086b224bd8e5deae93873a28c91736207b6a3f69a41e5cfe1f1539576e3b8/2.jpg" data-mid="117757099" border="0" src="https://freight.cargo.site/w/1000/i/f32086b224bd8e5deae93873a28c91736207b6a3f69a41e5cfe1f1539576e3b8/2.jpg" /> <img width="1296" height="864" width_o="1296" height_o="864" data-src="https://freight.cargo.site/t/original/i/381ce836ca06f8561ab3f03d92fc795416e7431c3585af34b6ae2c76f8a7f3cd/3.jpg" data-mid="117757098" border="0" src="https://freight.cargo.site/w/1000/i/381ce836ca06f8561ab3f03d92fc795416e7431c3585af34b6ae2c76f8a7f3cd/3.jpg" /> <img width="1296" height="864" width_o="1296" height_o="864" data-src="https://freight.cargo.site/t/original/i/f94f13cc37ca9fff5c8ac66fdb3cbafdb6cc929236778bc4380fabd1713990d9/1.jpg" data-mid="117757100" border="0" src="https://freight.cargo.site/w/1000/i/f94f13cc37ca9fff5c8ac66fdb3cbafdb6cc929236778bc4380fabd1713990d9/1.jpg" /> This same conceptual interest (the part to whole misreading) is carried through to the interior (the life) of the project by way of programmatic strategies which aim to foster similar qualities of the exterior— not by means of offsetting but by investigating how potential misunderstandings in the way things are constructed can be architecturally productive. Through these two independent narratives, the formal construction of the exterior and the internal arrangement of program, this project attempts to use a singular concept and interest as a tool that can generate design in distinctly different ways. The result is an earnest proposal for an alternative home living alone together. <img width="5000" height="2499" width_o="5000" height_o="2499" data-src="https://freight.cargo.site/t/original/i/801ffbc4fc641bd8a103c1b803350ea12cc22e1d2f663a0c175ec94dd8f44407/Section-Perspective-1_o.jpg" data-mid="117757093" border="0" src="https://freight.cargo.site/w/1000/i/801ffbc4fc641bd8a103c1b803350ea12cc22e1d2f663a0c175ec94dd8f44407/Section-Perspective-1_o.jpg" /> <img width="5000" height="2500" width_o="5000" height_o="2500" data-src="https://freight.cargo.site/t/original/i/8412c7860ec21888155fb3d013d7fb40ab101896a4f2a0beee8416d575f00532/Section-Perspective-2_o.jpg" data-mid="117757094" border="0" src="https://freight.cargo.site/w/1000/i/8412c7860ec21888155fb3d013d7fb40ab101896a4f2a0beee8416d575f00532/Section-Perspective-2_o.jpg" /> ____ Special thanks to Neyran for her amazing studio “Odd Families” where we completed this work. PUBLICATION: SuckerPUNCH Daily. March 14. 2019 9th anniversary UC Berkeley Circus Spring Show. March 1. 2019 1st CED Student Exhibition. Wurster Gallery, Berkeley, CA. September 9. 2019 https://ryanshin.com/Epistolary-Architecture-The-Art-and-Crimes-of-Jane-Doe Tue, 16 Jul 2019 07:34:04 +0000 Ryan Shin https://ryanshin.com/Epistolary-Architecture-The-Art-and-Crimes-of-Jane-Doe Projects Epistolary Architecture: The Art and Crimes of Jane Doe&nbsp;Undergraduate Option Studio at the University of California, Berkeley collaboration with Erickson I. Advisor: Hirschman S. Critics: Bhatia N., DeMonchaux N., Epstein-Jones D., Kim J., Krumweide K., and Turan N. This project leverages the architecture of the epistolary format—a story told through a collection of artifacts (traditionally letters) and uses it to construct a narrative around subjects which are literally architectural: the heists of the fictional burglar Jane Doe, whose uncanny crimes comprise a kind of spatial performance art. This project gathers diverse epistolary media through the exhibition catalogue; curation of evidence and interpretation. This project inserts itself into the long tradition of architecture as storytelling, a role which despite its omnipresence (all architecture tells stories) is rarely underlined in architectural discourse as its own topic to be investigated and expanded upon. This collection of evidence expands architecture’s narrative field by instrumentalizing the epistolary format towards the exploration of (un)familiar architectural subjects. A. EVIDENCE <img width="5000" height="4999" width_o="5000" height_o="4999" data-src="https://freight.cargo.site/t/original/i/7f3033e80be0799755b65f519618bd12afe514fc42c93ea3063bbc0917e6a55e/note_first_o.jpg" data-mid="117757051" border="0" data-marker-id="2" alt="1. Her First Note: Not yours but all my own To Whom it May Concern, You may have noticed that some things are missing. I took them. You might not believe I did, as I am not what you would typically consider a likely suspect for the flawlessly executed burglary of an elite museum. I am a woman&mdash;young, transient, and trapped within the gig economy struggling to stay afloat. I have been denied access to the richness of the traditional domestic interior because of contemporary economic structures, so I transgress to acquire the material trappings that are otherwise withheld. I have the kinds of vivid experiences that are only possible when you break the rules. I dream of being surrounded by precious historical objects in my personal mobile wunderkammer, of sleeping inside the mouth of a T-Rex skull, of being where you don&rsquo;t expect me, of leaving traces that confound you. You think I told you too much? Come and find me then&hellip; Not yours but all my own, Jane Doe Framed found artifact / inkjet print on xerox paper" data-caption="1. Her First Note: Not yours but all my own To Whom it May Concern, You may have noticed that some things are missing. I took them. You might not believe I did, as I am not what you would typically consider a likely suspect for the flawlessly executed burglary of an elite museum. I am a woman—young, transient, and trapped within the gig economy struggling to stay afloat. I have been denied access to the richness of the traditional domestic interior because of contemporary economic structures, so I transgress to acquire the material trappings that are otherwise withheld. I have the kinds of vivid experiences that are only possible when you break the rules. I dream of being surrounded by precious historical objects in my personal mobile wunderkammer, of sleeping inside the mouth of a T-Rex skull, of being where you don’t expect me, of leaving traces that confound you. You think I told you too much? Come and find me then… Not yours but all my own, Jane Doe Framed found artifact / inkjet print on xerox paper" src="https://freight.cargo.site/w/1000/i/7f3033e80be0799755b65f519618bd12afe514fc42c93ea3063bbc0917e6a55e/note_first_o.jpg" /> <img width="5000" height="4999" width_o="5000" height_o="4999" data-src="https://freight.cargo.site/t/original/i/2dcf8065c82b099bb31d84302ff9365494e31c16105b19f6989feac5504bef29/gloves_o.jpg" data-mid="117757052" border="0" data-marker-id="3" alt="2. Her Gloves (probably) Presented here are latex gloves found near the scene of one of Jane Doe&rsquo;s early heists that she is though to have dropped when she was still inexperienced. Though, many speculate that she left them behind on purpose as the only DNA that has been scraped from them is that of a domestic house cat. Perhaps this is Jane Doe&rsquo;s cheeky nod to the archetype of the &ldquo;cat burglar&rdquo;. framed found artifact / latex" data-caption="2. Her Gloves (probably) Presented here are latex gloves found near the scene of one of Jane Doe’s early heists that she is though to have dropped when she was still inexperienced. Though, many speculate that she left them behind on purpose as the only DNA that has been scraped from them is that of a domestic house cat. Perhaps this is Jane Doe’s cheeky nod to the archetype of the “cat burglar”. framed found artifact / latex" src="https://freight.cargo.site/w/1000/i/2dcf8065c82b099bb31d84302ff9365494e31c16105b19f6989feac5504bef29/gloves_o.jpg" /> <img width="5000" height="4999" width_o="5000" height_o="4999" data-src="https://freight.cargo.site/t/original/i/bbf56dd32801b1a83850369155296a86dc22858dfc27681d09ee3cab66b5eef2/diagrams_o.jpg" data-mid="117757053" border="0" alt="3. Her Diagrams (probably) Fragments of trace paper have been found at the scene of many of Jane Doe&rsquo;s heists. All of them have strange markings and seem to be different kinds of diagrams representing things like movement, orientation, and general organization. Because they are only fragments it is unclear what each is depicting but it is speculated they might represent Jane Doe&rsquo;s own path, or the movements of security guards, or the timing of commands from digital systems, or any number of the other forces and actors that must be tracked and predicted in order for a heist to run smoothly. Since the diagrams are always on trace paper it has been suggested that Jane Doe&rsquo;s method of planning her heists must be drawing additional information on top of existing architectural or engineering documents. found fragments / tracing paper " data-caption="3. Her Diagrams (probably) Fragments of trace paper have been found at the scene of many of Jane Doe’s heists. All of them have strange markings and seem to be different kinds of diagrams representing things like movement, orientation, and general organization. Because they are only fragments it is unclear what each is depicting but it is speculated they might represent Jane Doe’s own path, or the movements of security guards, or the timing of commands from digital systems, or any number of the other forces and actors that must be tracked and predicted in order for a heist to run smoothly. Since the diagrams are always on trace paper it has been suggested that Jane Doe’s method of planning her heists must be drawing additional information on top of existing architectural or engineering documents. found fragments / tracing paper " src="https://freight.cargo.site/w/1000/i/bbf56dd32801b1a83850369155296a86dc22858dfc27681d09ee3cab66b5eef2/diagrams_o.jpg" /> <img width="5000" height="4999" width_o="5000" height_o="4999" data-src="https://freight.cargo.site/t/original/i/72d445fe4a92b1eda10a0873878256e8eb73ab4b19c45f544e4384768810e6ab/radiantfigure_o.jpg" data-mid="117757054" border="0" alt="4. A Radiant Figure: The Only Image of Jane Doe Caught on Security CameraHere is the only known photo of Jane Doe. The image was captured by security cameras during her heist of the Gardner Museum. No one knows exactly how or why she glowed in the image, but the effect both preserved her anonymity and added to her curious mythology&mdash;rendering her a radiant figure hidden in plain sight. Forensic scientists speculate that she covered herself in some sort of hyper-reflective spray-applied coating calibrated to the optic sensitivities of the dated security cameras. framed print (only original copy) / photo paper" data-caption="4. A Radiant Figure: The Only Image of Jane Doe Caught on Security CameraHere is the only known photo of Jane Doe. The image was captured by security cameras during her heist of the Gardner Museum. No one knows exactly how or why she glowed in the image, but the effect both preserved her anonymity and added to her curious mythology—rendering her a radiant figure hidden in plain sight. Forensic scientists speculate that she covered herself in some sort of hyper-reflective spray-applied coating calibrated to the optic sensitivities of the dated security cameras. framed print (only original copy) / photo paper" src="https://freight.cargo.site/w/1000/i/72d445fe4a92b1eda10a0873878256e8eb73ab4b19c45f544e4384768810e6ab/radiantfigure_o.jpg" /> <img width="5000" height="4999" width_o="5000" height_o="4999" data-src="https://freight.cargo.site/t/original/i/47495823e781f7305a0c9c5d690bcdfdeefbf253e0780ea27af747f7f57af245/Her-Most-Recent-Note_o.jpg" data-mid="117757055" border="0" alt="5. Her Most Recent Note: Still not yours To Whom it May Concern, You may have noticed that nothing is missing. I didn&rsquo;t take anything. You might not believe I didn&rsquo;t, as I am famous for my flawlessly executed burglaries of elite museums. I am a woman, and I have acquired objects and experiences beyond the reach of tech barons and ancient emperors alike. I have slept inside the mouth of a t-rex skull, and found it musty. I don&rsquo;t care about jewels and gold and historic domesticity anymore, but I still love to break the rules and leave traces that confound you (try shining a blacklight around this room). I clearly haven&rsquo;t said too much because you haven&rsquo;t found me yet... Still not yours,Jane DoeFramed found artifact / inkjet print on xerox paper" data-caption="5. Her Most Recent Note: Still not yours To Whom it May Concern, You may have noticed that nothing is missing. I didn’t take anything. You might not believe I didn’t, as I am famous for my flawlessly executed burglaries of elite museums. I am a woman, and I have acquired objects and experiences beyond the reach of tech barons and ancient emperors alike. I have slept inside the mouth of a t-rex skull, and found it musty. I don’t care about jewels and gold and historic domesticity anymore, but I still love to break the rules and leave traces that confound you (try shining a blacklight around this room). I clearly haven’t said too much because you haven’t found me yet... Still not yours,Jane DoeFramed found artifact / inkjet print on xerox paper" src="https://freight.cargo.site/w/1000/i/47495823e781f7305a0c9c5d690bcdfdeefbf253e0780ea27af747f7f57af245/Her-Most-Recent-Note_o.jpg" /> B. INTERPRETATION <img width="1569" height="1960" width_o="1569" height_o="1960" data-src="https://freight.cargo.site/t/original/i/2e6ac3cb3d25b00721e7934f92887d0deb6e5c217b9fb72dcc6ba529e8cad9fd/burglartools_041019_final-4X5.25.jpg" data-mid="117757079" border="0" src="https://freight.cargo.site/w/1000/i/2e6ac3cb3d25b00721e7934f92887d0deb6e5c217b9fb72dcc6ba529e8cad9fd/burglartools_041019_final-4X5.25.jpg" /> 6. Possible Tools of the Burglar This drawing speculates on the kinds of tools that might be used by Jane Doe. The taxonomy is based on the historical equipment of the burglar, what tools are commonly available, and what kinds of objects would be able to accomplish the strange acts required to support her bizarre and unprecedented crimes. digital print on paper <img width="3698" height="3698" width_o="3698" height_o="3698" data-src="https://freight.cargo.site/t/original/i/e1bfdf1b8953a0cf1e5fe846b3f9d9dbe237aee171528c575221d16fd7718ae2/8.-A-speculative-Design-of-the-Hole-Boring-Machine.jpg" data-mid="117757056" border="0" src="https://freight.cargo.site/w/1000/i/e1bfdf1b8953a0cf1e5fe846b3f9d9dbe237aee171528c575221d16fd7718ae2/8.-A-speculative-Design-of-the-Hole-Boring-Machine.jpg" /> 7. A Speculative Design of the Hole-Boring-Machine This drawing takes some commonly available tools and speculates on how they might be assembled into a machine capable of making Jane Doe’s famously precise circular cuts through walls and floors. A suction mount provides a central pivot point from which an adjustable armature allows a series of power tools—which are connected to their own power supply that is also mounted on the machine—to first drill pilot holes and then make successively deeper cuts into the surfaces the rig is mounted on. digital print on paper <img width="3951" height="2222" width_o="3951" height_o="2222" data-src="https://freight.cargo.site/t/original/i/69da3263ba7d20687ad50517cee1518e967253bf892e109ab5684f0c57b48fa1/exitrender_190504.jpg" data-mid="117757057" border="0" src="https://freight.cargo.site/w/1000/i/69da3263ba7d20687ad50517cee1518e967253bf892e109ab5684f0c57b48fa1/exitrender_190504.jpg" /> 8.1 The Morning After The Sir John Soane Museum Heist (Entrance Way) This rendering depicts the scene that awaited the morning security staff when they went on their usual rounds the night after Jane Doe’s heist of the Sir John Soane Museum: her precise circular cuts through the walls and their resulting chunks, the strange domestic scene revealed by her excavation, and the stolen paintings evidenced by the slight discoloration on the wallpaper behind where they used to hang. digital print on paper <img width="1920" height="1920" width_o="1920" height_o="1920" data-src="https://freight.cargo.site/t/original/i/c18127c9ebc85bb42c26e8186981d50533d6d5ac2f287927e3fb6324f40f7619/4.4__Epistolary-Architecture-The-Art-and-Crimes-of-Jane-Doe_Ian-Erickson_Ryan-Shin_2019_University-of-California-Berkeley_Undergraduate-Option-Studio-copy.jpg" data-mid="117757075" border="0" src="https://freight.cargo.site/w/1000/i/c18127c9ebc85bb42c26e8186981d50533d6d5ac2f287927e3fb6324f40f7619/4.4__Epistolary-Architecture-The-Art-and-Crimes-of-Jane-Doe_Ian-Erickson_Ryan-Shin_2019_University-of-California-Berkeley_Undergraduate-Option-Studio-copy.jpg" /> <img width="1920" height="1920" width_o="1920" height_o="1920" data-src="https://freight.cargo.site/t/original/i/22c2fbf5271dff1479f2067def3f7ea047e0e1def80584301e39858b46fcdebe/3.3__Epistolary-Architecture-The-Art-and-Crimes-of-Jane-Doe_Ian-Erickson_Ryan-Shin_2019_University-of-California-Berkeley_Undergraduate-Option-Studio.jpg" data-mid="117757074" border="0" src="https://freight.cargo.site/w/1000/i/22c2fbf5271dff1479f2067def3f7ea047e0e1def80584301e39858b46fcdebe/3.3__Epistolary-Architecture-The-Art-and-Crimes-of-Jane-Doe_Ian-Erickson_Ryan-Shin_2019_University-of-California-Berkeley_Undergraduate-Option-Studio.jpg" /> <img width="1920" height="1920" width_o="1920" height_o="1920" data-src="https://freight.cargo.site/t/original/i/cdb99721c80c95481cacee319316c868c8e8cf4f1381fb4c32cbd057616b42db/1.1__Epistolary-Architecture-The-Art-and-Crimes-of-Jane-Doe_Ian-Erickson_Ryan-Shin_2019_University-of-California-Berkeley_Undergraduate-Option-Studio.jpg" data-mid="117757072" border="0" src="https://freight.cargo.site/w/1000/i/cdb99721c80c95481cacee319316c868c8e8cf4f1381fb4c32cbd057616b42db/1.1__Epistolary-Architecture-The-Art-and-Crimes-of-Jane-Doe_Ian-Erickson_Ryan-Shin_2019_University-of-California-Berkeley_Undergraduate-Option-Studio.jpg" /> <img width="1920" height="1920" width_o="1920" height_o="1920" data-src="https://freight.cargo.site/t/original/i/35be42c2a126ef6f0ec1ea7c690e767b00fcb83b9c08a6b4f56e80a40114d57e/2.2_Epistolary-Architecture-The-Art-and-Crimes-of-Jane-Doe_Ian-Erickson_Ryan-Shin_2019_University-of-California-Berkeley_Undergraduate-Option-Studio.jpg" data-mid="117757073" border="0" src="https://freight.cargo.site/w/1000/i/35be42c2a126ef6f0ec1ea7c690e767b00fcb83b9c08a6b4f56e80a40114d57e/2.2_Epistolary-Architecture-The-Art-and-Crimes-of-Jane-Doe_Ian-Erickson_Ryan-Shin_2019_University-of-California-Berkeley_Undergraduate-Option-Studio.jpg" /> 9.1.1 &amp; 9.1.2 A Core Sample (in two parts) of the Sir John Soane Museum Heist (Entrance Cut) This series of miniatures is a ‘core sample’ of Jane Doe’s entrance and exit of the Sir John Soane Museum during her infamous heist. She cut a perfect circle through the bathroom wall of an adjacent apartment building that she rented out on Airbnb under the her preferred pseudonym “Jane Doe”. She continued her precise cut through the exterior wall of Sir John Soane's Museum into the second floor picture room, leaving two perfect circular chunks of the walls on each side of the excavation—all done with a virtuosity that many have claimed surpasses that of late Gordon Matta Clark. <img width="1536" height="1920" width_o="1536" height_o="1920" data-src="https://freight.cargo.site/t/original/i/29f99c3e15f0e92555a86ae8139a96a6c953f0c07371e52332dc0d48d8c5db1f/8__Epistolary-Architecture-The-Art-and-Crimes-of-Jane-Doe_Ian-Erickson_Ryan-Shin_2019_University-of-California-Berkeley_Undergraduate-Option-Studio.jpg" data-mid="117757069" border="0" src="https://freight.cargo.site/w/1000/i/29f99c3e15f0e92555a86ae8139a96a6c953f0c07371e52332dc0d48d8c5db1f/8__Epistolary-Architecture-The-Art-and-Crimes-of-Jane-Doe_Ian-Erickson_Ryan-Shin_2019_University-of-California-Berkeley_Undergraduate-Option-Studio.jpg" /> 8.2 The Sir John Soane Museum Heist (Exit Way) This sectional rendering depicts the scene around Jane Doe’s exit cut through the floor of the Sir John Soane museum into the large city drain below. The typically highly ordered objects of the museum are in a state of disarray: missing, floating away, and leaning off-center as a result of to Jane Doe’s energetic yet precise transgressions. digital print on paper <img width="1920" height="1536" width_o="1920" height_o="1536" data-src="https://freight.cargo.site/t/original/i/f4422225ddecb93732733cacd1b01c6461f06f992bc2b4ac094b18890b78453b/Core-Sample-of-the-Sir-John-Soane-Museum_Chunk.jpg" data-mid="117757082" border="0" src="https://freight.cargo.site/w/1000/i/f4422225ddecb93732733cacd1b01c6461f06f992bc2b4ac094b18890b78453b/Core-Sample-of-the-Sir-John-Soane-Museum_Chunk.jpg" /> <img width="1920" height="1265" width_o="1920" height_o="1265" data-src="https://freight.cargo.site/t/original/i/8a05a2a8b39cc1c59c1460ae2729cf5316c0d25555df183780526788fd499444/C_Epistolary-Architecture-The-Art-and-Crimes-of-Jane-Doe_Ian-Erickson_Ryan-Shin_2019_University-of-California-Berkeley_Undergraduate-Option-Studio.jpg" data-mid="117757076" border="0" src="https://freight.cargo.site/w/1000/i/8a05a2a8b39cc1c59c1460ae2729cf5316c0d25555df183780526788fd499444/C_Epistolary-Architecture-The-Art-and-Crimes-of-Jane-Doe_Ian-Erickson_Ryan-Shin_2019_University-of-California-Berkeley_Undergraduate-Option-Studio.jpg" /> 9.2 A Core Sample of the Sir John Soane Museum Heist (Exit Cut) Jane Doe exited the Sir John Soane Museum through the floor at the street level, cutting through the ground and escaping into the large city drain below. She used the networked flows of the cities water drainage system as the getaway driver for both her and the objects she stole, floating everything to her exit. This model changes scales across the different cuts (2”=1’ for the two 3’ 6” diameter entrance cuts, and 1”=1’ for the 7’ diameter exit cut) in order to maintain the same physical size of the miniatures. models / plywood, clay, acrylic paint, foam, plastic <img width="3024" height="3780" width_o="3024" height_o="3780" data-src="https://freight.cargo.site/t/original/i/e21abb1e395d2c5b40d7e54feb33ba312016a20a80f89bbc6ad47734b2cca002/image3.jpg" data-mid="117757059" border="0" src="https://freight.cargo.site/w/1000/i/e21abb1e395d2c5b40d7e54feb33ba312016a20a80f89bbc6ad47734b2cca002/image3.jpg" /> <img width="3024" height="3780" width_o="3024" height_o="3780" data-src="https://freight.cargo.site/t/original/i/c294e6a4ba8d4895280811a0c049cbcee6d47262af1a593ef67c61f237d23fd0/image2.jpg" data-mid="117757060" border="0" src="https://freight.cargo.site/w/1000/i/c294e6a4ba8d4895280811a0c049cbcee6d47262af1a593ef67c61f237d23fd0/image2.jpg" /> 10.1 Peephole Diorama I. Her View Through an HVAC Grate in a Natural History Museum This peephole diorama allows you to put yourself in the shoes of Jane Doe, and begin to understand her motivation to experience these transgressive spatial acts. The artifact presents her perspective looking down on on a Triceratops Skeleton and a Security Guard with a Flashlight in a Natural History Museum through an HVAC grate in the process of a heist. 10.2 Peephole Diorama II. Her Last View Before Exiting the Sir John Soane’s Museum This peephole diorama allows you to experience the curious perspective of looking up from the drain through the cut in the floor of the Sir John Soane Museum into the upper floors of the building, just as Jane Doe must have done at the end of her heist. peephole diorama / peephole, 1/16” plywood, acrylic paint, paper, plastic <img width="1920" height="1920" width_o="1920" height_o="1920" data-src="https://freight.cargo.site/t/original/i/a1cac781a4c0ae69b9d4e08eb4a2bf8f847c8d54f4dd8dbe3fe8d60003ad38e3/5__Epistolary-Architecture-The-Art-and-Crimes-of-Jane-Doe_Ian-Erickson_Ryan-Shin_2019_University-of-California-Berkeley_Undergraduate-Option-Studio.jpg" data-mid="117757077" border="0" src="https://freight.cargo.site/w/1000/i/a1cac781a4c0ae69b9d4e08eb4a2bf8f847c8d54f4dd8dbe3fe8d60003ad38e3/5__Epistolary-Architecture-The-Art-and-Crimes-of-Jane-Doe_Ian-Erickson_Ryan-Shin_2019_University-of-California-Berkeley_Undergraduate-Option-Studio.jpg" /> <img width="2880" height="1920" width_o="2880" height_o="1920" data-src="https://freight.cargo.site/t/original/i/37e9e2b1287abb06d8559c337bfa55df1ba022b89d4f6dda497c9e593d60ea96/6__Epistolary-Architecture-The-Art-and-Crimes-of-Jane-Doe_Ian-Erickson_Ryan-Shin_2019_University-of-California-Berkeley_Undergraduate-Option-Studio.jpg" data-mid="117757078" border="0" src="https://freight.cargo.site/w/1000/i/37e9e2b1287abb06d8559c337bfa55df1ba022b89d4f6dda497c9e593d60ea96/6__Epistolary-Architecture-The-Art-and-Crimes-of-Jane-Doe_Ian-Erickson_Ryan-Shin_2019_University-of-California-Berkeley_Undergraduate-Option-Studio.jpg" /> <img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/9b47a9c12e5bf8b6885ac5370951d174ab30926d0d5f804bdb1a1b8fe113d657/E__Epistolary-Architecture-The-Art-and-Crimes-of-Jane-Doe_Ian-Erickson_Ryan-Shin_2019_University-of-California-Berkeley_Undergraduate-Option-Studio.jpg" data-mid="117757071" border="0" src="https://freight.cargo.site/w/1000/i/9b47a9c12e5bf8b6885ac5370951d174ab30926d0d5f804bdb1a1b8fe113d657/E__Epistolary-Architecture-The-Art-and-Crimes-of-Jane-Doe_Ian-Erickson_Ryan-Shin_2019_University-of-California-Berkeley_Undergraduate-Option-Studio.jpg" /> <img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/39f02d4980a33ed70ed47b68c19966ff4ee72f3ec8a275e00283e50c5e80f623/D-_A-Nutshell-Study_-Dollhouse-of-Invisible-Transgressions_Blacklight_Epistolary-Architecture-The-Art-and-Crimes-of-Jane-Doe_Ian-Erickson_Ryan-Shin_2019_University-of-California-Berkeley_Undergraduate-Option-Studio.jpg" data-mid="117757070" border="0" src="https://freight.cargo.site/w/1000/i/39f02d4980a33ed70ed47b68c19966ff4ee72f3ec8a275e00283e50c5e80f623/D-_A-Nutshell-Study_-Dollhouse-of-Invisible-Transgressions_Blacklight_Epistolary-Architecture-The-Art-and-Crimes-of-Jane-Doe_Ian-Erickson_Ryan-Shin_2019_University-of-California-Berkeley_Undergraduate-Option-Studio.jpg" /> <img width="1536" height="1920" width_o="1536" height_o="1920" data-src="https://freight.cargo.site/t/original/i/3b82a292572dc733712924d3615ba6b06d5e33f689f9f0c8aba687eccbcfedad/12.1_A-Nutshell-Study_-Dollhouse-of-Invisible-Transgressions_Blacklightjpg.jpg" data-mid="117757081" border="0" src="https://freight.cargo.site/w/1000/i/3b82a292572dc733712924d3615ba6b06d5e33f689f9f0c8aba687eccbcfedad/12.1_A-Nutshell-Study_-Dollhouse-of-Invisible-Transgressions_Blacklightjpg.jpg" /> <img width="1536" height="1920" width_o="1536" height_o="1920" data-src="https://freight.cargo.site/t/original/i/c6a8dbb46eb93c70141a08bd173029ec0e46689cbe9fc588353a1891e0d1fcdc/12.2_A-Nutshell-Study_-Dollhouse-of-Invisible-Transgressions.jpg" data-mid="117757080" border="0" src="https://freight.cargo.site/w/1000/i/c6a8dbb46eb93c70141a08bd173029ec0e46689cbe9fc588353a1891e0d1fcdc/12.2_A-Nutshell-Study_-Dollhouse-of-Invisible-Transgressions.jpg" /> 11. A Nutshell Study: The Dollhouse of Invisible Transgressions This hinged miniature dollhouse model is a representation of one of Jane Doe’s most famous heists where she broke into a long closed off reproduction of a victorian tea-room inside a Natural History Museum and didn’t steal anything. Instead she simply used the objects for their intended purpose and had a solo tea party, leaving only left traces of her presence and a cleverly hidden written note describing her changing motivativations for pulling off heists. These traces are only revealed—both in the miniature and in the actual museum itself—through invisible ink that glows under blacklight. model / plywood, acrylic paint, plastic, basswood, glass, ceramic, pipecleaner, wire <img width="4000" height="4000" width_o="4000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/e7683daf6ac281c6b6533fe68381ea25f2b120bdc3983def75a6b6d000b4d350/Cast-Model_1_18.jpg" data-mid="117757065" border="0" src="https://freight.cargo.site/w/1000/i/e7683daf6ac281c6b6533fe68381ea25f2b120bdc3983def75a6b6d000b4d350/Cast-Model_1_18.jpg" /> 12. A Mobile Cabinet of Curiosities: A Miniature of the Cast of The Jane Doe’s Van Interior This is a miniature cast of the interior of the van she held all of her stolen objects in—a space positive of her cabinet of curiosities on wheels reminiscent of the work of the artist Rachel Whiteread. The van was found with all of the objects she stole still inside, abandoned in a suburban parking lot,. This long awaited breakthrough in the case was seemingly allowed by Jane Doe herself. Since abandoning her van and its treasures her crimes have rarely ended in theft, and instead her motivation seems to be in the experience and planning of the heist itself. sculpture / casted plaster <img width="3418" height="2279" width_o="3418" height_o="2279" data-src="https://freight.cargo.site/t/original/i/fa4f2f100d0d4e476b4cfacad55a28a5d6cdc941e60e646b0abc025cff6ec946/Final-Exhibition_2-Revised.jpg" data-mid="117799406" border="0" src="https://freight.cargo.site/w/1000/i/fa4f2f100d0d4e476b4cfacad55a28a5d6cdc941e60e646b0abc025cff6ec946/Final-Exhibition_2-Revised.jpg" /> ____ Special thanks to Sarah for her brilliant studio “Little Worlds” where we completed this work. PUBLICATION: KooZA/rch January 15. 2020 1st CED Student Exhibition. Wurster Gallery, Berkeley, CA. September 9. 2019 https://ryanshin.com/CLT-Library Tue, 12 Jan 2021 07:10:21 +0000 Ryan Shin https://ryanshin.com/CLT-Library ProjectsCLT Library Undergraduate Core Studio at the University of California, Berkeley 2017 Fall Instructor: Ly J. <img width="5700" height="3900" width_o="5700" height_o="3900" data-src="https://freight.cargo.site/t/original/i/3f497f56764e1fbed1490ba9706b856d0fe0ed6af6ed1428db1026b502d2b9a6/Site-Plan-1-6000-Landscape.jpg" data-mid="117785501" border="0" src="https://freight.cargo.site/w/1000/i/3f497f56764e1fbed1490ba9706b856d0fe0ed6af6ed1428db1026b502d2b9a6/Site-Plan-1-6000-Landscape.jpg" /> <img width="1500" height="1500" width_o="1500" height_o="1500" data-src="https://freight.cargo.site/t/original/i/7d815bf8cbb5ee112bce8082969b402881857d3f45f0c55a1fd572b1166a5fbc/1.jpg" data-mid="117785794" border="0" src="https://freight.cargo.site/w/1000/i/7d815bf8cbb5ee112bce8082969b402881857d3f45f0c55a1fd572b1166a5fbc/1.jpg" /> <img width="1500" height="1500" width_o="1500" height_o="1500" data-src="https://freight.cargo.site/t/original/i/9928ba11cf8de8d01fc5612634cdd90423789ee090e88409e557ee08a508e312/2.jpg" data-mid="117785795" border="0" src="https://freight.cargo.site/w/1000/i/9928ba11cf8de8d01fc5612634cdd90423789ee090e88409e557ee08a508e312/2.jpg" /> <img width="1500" height="1500" width_o="1500" height_o="1500" data-src="https://freight.cargo.site/t/original/i/97c99c19879d619afc66f5a24e03f7d231e7d46b22497e2a0bd378fa4b0a2f30/3.jpg" data-mid="117785796" border="0" src="https://freight.cargo.site/w/1000/i/97c99c19879d619afc66f5a24e03f7d231e7d46b22497e2a0bd378fa4b0a2f30/3.jpg" /> <img width="1500" height="1500" width_o="1500" height_o="1500" data-src="https://freight.cargo.site/t/original/i/3f7c339831030c438743b752c45eb9a9179a56b3f3f7b44b303b4539246e78d3/4.jpg" data-mid="117785797" border="0" src="https://freight.cargo.site/w/1000/i/3f7c339831030c438743b752c45eb9a9179a56b3f3f7b44b303b4539246e78d3/4.jpg" /> <img width="1500" height="1500" width_o="1500" height_o="1500" data-src="https://freight.cargo.site/t/original/i/e7193a78ebdc47f710681bde710caa649ed076b34119fda1c0a0aea4cec75924/5.jpg" data-mid="117785798" border="0" src="https://freight.cargo.site/w/1000/i/e7193a78ebdc47f710681bde710caa649ed076b34119fda1c0a0aea4cec75924/5.jpg" /> <img width="1500" height="1500" width_o="1500" height_o="1500" data-src="https://freight.cargo.site/t/original/i/6a0adba2ebef3d904c5ade9dcd4fc595f7b069fa41fccfb4cc62bf1387654d81/6.jpg" data-mid="117785799" border="0" src="https://freight.cargo.site/w/1000/i/6a0adba2ebef3d904c5ade9dcd4fc595f7b069fa41fccfb4cc62bf1387654d81/6.jpg" /> <img width="1500" height="1500" width_o="1500" height_o="1500" data-src="https://freight.cargo.site/t/original/i/1c3c7f30c0ca0ffc19a9eea52f4c98d86a30a898a953005fe3f8711038f2f4f7/7.jpg" data-mid="117785800" border="0" src="https://freight.cargo.site/w/1000/i/1c3c7f30c0ca0ffc19a9eea52f4c98d86a30a898a953005fe3f8711038f2f4f7/7.jpg" /> <img width="1500" height="1500" 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data-src="https://freight.cargo.site/t/original/i/e7ec9cfca37c757e5330e9ac8ee910bc45a6ef1e12e60acc2fe20b429821c7c5/-2020-RYAN-SHIN_Final-Interior-Rendering-B---Noise-7_3.jpg" data-mid="117757125" border="0" src="https://freight.cargo.site/w/1000/i/e7ec9cfca37c757e5330e9ac8ee910bc45a6ef1e12e60acc2fe20b429821c7c5/-2020-RYAN-SHIN_Final-Interior-Rendering-B---Noise-7_3.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/513f8a0562ea07ace03db9f962bee5912f1bbf930e4538273d3e6477c8ed55e8/-2020-RYAN-SHIN_Final-Interior-Rendering-A---Noise-7_2.jpg" data-mid="117757124" border="0" src="https://freight.cargo.site/w/1000/i/513f8a0562ea07ace03db9f962bee5912f1bbf930e4538273d3e6477c8ed55e8/-2020-RYAN-SHIN_Final-Interior-Rendering-A---Noise-7_2.jpg" /> <img width="4200" height="3000" width_o="4200" height_o="3000" data-src="https://freight.cargo.site/t/original/i/d633c0d6d2117959eee397a593084e009c3d934de149f2c8d89d70b9c14eb309/-2020-RYAN-SHIN_Floor-Plan.gif" data-mid="117757116" border="0" src="https://freight.cargo.site/w/1000/i/d633c0d6d2117959eee397a593084e009c3d934de149f2c8d89d70b9c14eb309/-2020-RYAN-SHIN_Floor-Plan.gif" /> <img width="1920" height="1371" width_o="1920" height_o="1371" data-src="https://freight.cargo.site/t/original/i/78963ce8cc86c22722d45f40022680d456a25d310d13bccf2f0714baad809b76/-2020-RYAN-SHIN_Section-A.jpg" data-mid="117757107" border="0" src="https://freight.cargo.site/w/1000/i/78963ce8cc86c22722d45f40022680d456a25d310d13bccf2f0714baad809b76/-2020-RYAN-SHIN_Section-A.jpg" /> <img width="1920" height="1371" width_o="1920" height_o="1371" data-src="https://freight.cargo.site/t/original/i/2b33826dcb31eedc511f15e6c42f45736defd3b6ac51537f34b6d3d6e5451d9a/-2020-RYAN-SHIN_Section-C.jpg" data-mid="117757110" border="0" 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data-src="https://freight.cargo.site/t/original/i/e6890d180f8e6f935bff009c5ac2c88d4afa040cc266a4c8550c69eb0d7a3de3/-2020-RYAN-SHIN_Model-Photo_6.jpg" data-mid="117757115" border="0" src="https://freight.cargo.site/w/960/i/e6890d180f8e6f935bff009c5ac2c88d4afa040cc266a4c8550c69eb0d7a3de3/-2020-RYAN-SHIN_Model-Photo_6.jpg" /> <img width="960" height="685" width_o="960" height_o="685" data-src="https://freight.cargo.site/t/original/i/2a106ffca42e14c65bde65e29f041effdab4b91f8feffb324df3b283791a88b2/-2020-RYAN-SHIN_Model-Photo_1.jpg" data-mid="117757111" border="0" src="https://freight.cargo.site/w/960/i/2a106ffca42e14c65bde65e29f041effdab4b91f8feffb324df3b283791a88b2/-2020-RYAN-SHIN_Model-Photo_1.jpg" /> <img width="940" height="671" width_o="940" height_o="671" data-src="https://freight.cargo.site/t/original/i/457cee6eca38ce63334cc677c1e352ccf3e64bbf8e8ac6540c7964265d7d8a20/-2020-RYAN-SHIN_Model-Photo_3.jpg" data-mid="117757112" border="0" src="https://freight.cargo.site/w/940/i/457cee6eca38ce63334cc677c1e352ccf3e64bbf8e8ac6540c7964265d7d8a20/-2020-RYAN-SHIN_Model-Photo_3.jpg" /> <img width="768" height="960" width_o="768" height_o="960" data-src="https://freight.cargo.site/t/original/i/1c294bfd5274ed13b761f7ff3e6fd58a04dbe08b80c783797fbf771a259b7b06/-2020-RYAN-SHIN_Model-Photo_4.jpg" data-mid="117757113" border="0" src="https://freight.cargo.site/w/768/i/1c294bfd5274ed13b761f7ff3e6fd58a04dbe08b80c783797fbf771a259b7b06/-2020-RYAN-SHIN_Model-Photo_4.jpg" /> https://ryanshin.com/Fourth-Sign Thu, 14 Nov 2019 00:27:28 +0000 Ryan Shin https://ryanshin.com/Fourth-Sign Projects Fourth Sign Undergraduate 100A Studio at the University of California, Berkeley Instructor: Ly J.&nbsp; <img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/5303af46b212ee42092bfc2f78094aaac256e677da2533f163bb15bfd88785e0/190719-The-Fourth-Sign-REVISED-01_o.jpg" data-mid="117757141" border="0" src="https://freight.cargo.site/w/1000/i/5303af46b212ee42092bfc2f78094aaac256e677da2533f163bb15bfd88785e0/190719-The-Fourth-Sign-REVISED-01_o.jpg" /> <img width="4051" height="2700" width_o="4051" height_o="2700" data-src="https://freight.cargo.site/t/original/i/0552df54ac080f9053c2af6b8b60e004d87fcac827b0051c37100a17cb1fed2e/190719-The-Fourth-Sign-REVISED-02.jpg" data-mid="117757143" border="0" src="https://freight.cargo.site/w/1000/i/0552df54ac080f9053c2af6b8b60e004d87fcac827b0051c37100a17cb1fed2e/190719-The-Fourth-Sign-REVISED-02.jpg" /> <img width="4051" height="2701" width_o="4051" height_o="2701" data-src="https://freight.cargo.site/t/original/i/636fba147dbb263cf2f2ed461a2ac02846cf91c17a7f2dbdc1cd861cf04847e8/190719-The-Fourth-Sign-REVISED-03.jpg" data-mid="117757144" border="0" src="https://freight.cargo.site/w/1000/i/636fba147dbb263cf2f2ed461a2ac02846cf91c17a7f2dbdc1cd861cf04847e8/190719-The-Fourth-Sign-REVISED-03.jpg" /> <img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/4ce4770a5c7b8ed60eb753faa119687702c74920eedd3b7805c5532987c97e59/190719-The-Fourth-Sign-REVISED-04_o.jpg" data-mid="117757142" border="0" src="https://freight.cargo.site/w/1000/i/4ce4770a5c7b8ed60eb753faa119687702c74920eedd3b7805c5532987c97e59/190719-The-Fourth-Sign-REVISED-04_o.jpg" /> https://ryanshin.com/The-Room Tue, 12 Jan 2021 06:05:42 +0000 Ryan Shin https://ryanshin.com/The-Room Projects The Room Undergraduate Option Studio at the University of California, Berkeley Advisor: Turan N.&nbsp; <img width="5000" height="5000" width_o="5000" height_o="5000" data-src="https://freight.cargo.site/t/original/i/5dc19cb8c97cb1dcbea61e8ab26d99f4356b985d3c97520f6bfad145dc5538d2/180827-Abstract-Drawing-Final-01_o.jpg" data-mid="117757130" border="0" src="https://freight.cargo.site/w/1000/i/5dc19cb8c97cb1dcbea61e8ab26d99f4356b985d3c97520f6bfad145dc5538d2/180827-Abstract-Drawing-Final-01_o.jpg" /> This piece questions what forms interiority,&nbsp;supposing an endless interior as a distortion of&nbsp;the planar. When we think of a room as inferring&nbsp;interior, the relationship between wall and&nbsp;ceiling tends to be a squared Cartesian volume,&nbsp;but I’m interested in how interior can blur those&nbsp;boundaries, amplifying continuity through tangential&nbsp;conic surfaces. The narrative of this drawing is an explicit reflection&nbsp;on Sylvia Lavin’s reading of hoarding&nbsp;as an architectural concern. Here, symptoms of&nbsp;the precarious nature of such spaces include a&nbsp;person befallen by a broken swath of the interior&nbsp;volume. 36”x36” Print https://ryanshin.com/Window-as-Aperture Thu, 14 Nov 2019 00:27:53 +0000 Ryan Shin https://ryanshin.com/Window-as-Aperture ProjectsWindow as Aperture Undergraduate Seminar at the University of California, Berkeley Instructor: Iwamoto L. Precedent: K+N House by Valerio Olgiati A homogeneous interior surface provides unobstructed views of the surrounding natural environment. All of mechanical parts of sinking window are concealed in between concrete layers, and the steel frames are placed at the exterior to emphasize the view from the interior. <img width="1071" height="1500" width_o="1071" height_o="1500" data-src="https://freight.cargo.site/t/original/i/bb9bf7474b61f35485dec643edd5a3e4507c94d79805ea7ba9ab4d1fddb8902a/GIF-1-Second.gif" data-mid="117757134" border="0" src="https://freight.cargo.site/w/1000/i/bb9bf7474b61f35485dec643edd5a3e4507c94d79805ea7ba9ab4d1fddb8902a/GIF-1-Second.gif" /> <img width="3686" height="4718" width_o="3686" height_o="4718" data-src="https://freight.cargo.site/t/original/i/79b7cc05c0dffe77afd88933775c57d3eeb11881f8024d7d4339cb502be93645/190317-Sill---Jamb-Detail-1.jpg" data-mid="117757139" border="0" src="https://freight.cargo.site/w/1000/i/79b7cc05c0dffe77afd88933775c57d3eeb11881f8024d7d4339cb502be93645/190317-Sill---Jamb-Detail-1.jpg" /> <img width="2927" height="1910" width_o="2927" height_o="1910" data-src="https://freight.cargo.site/t/original/i/a27897b4ebcc500efca12468fe1b3e3e0e26736712227b62dc64a0131c95e52a/190317-Sill---Jamb-Detail-2.jpg" data-mid="117757140" border="0" src="https://freight.cargo.site/w/1000/i/a27897b4ebcc500efca12468fe1b3e3e0e26736712227b62dc64a0131c95e52a/190317-Sill---Jamb-Detail-2.jpg" /> <img width="5000" height="7000" width_o="5000" height_o="7000" data-src="https://freight.cargo.site/t/original/i/2c4c8c9ed99ba7cdbb831718b1019023d190548a5a9eb7a5978358372f3a3a42/Scan_1_Revised_o.jpg" data-mid="117757131" border="0" src="https://freight.cargo.site/w/1000/i/2c4c8c9ed99ba7cdbb831718b1019023d190548a5a9eb7a5978358372f3a3a42/Scan_1_Revised_o.jpg" /> <img width="5000" height="6999" width_o="5000" height_o="6999" data-src="https://freight.cargo.site/t/original/i/a2a0bf5d2b5a5ceb7f82b7d19da08a439ac6c00175d515ce05e9dbfda8dc8246/Scan_2_Revised_o.jpg" data-mid="117757132" border="0" src="https://freight.cargo.site/w/1000/i/a2a0bf5d2b5a5ceb7f82b7d19da08a439ac6c00175d515ce05e9dbfda8dc8246/Scan_2_Revised_o.jpg" /> https://ryanshin.com/The-Fields Thu, 14 Nov 2019 00:28:14 +0000 Ryan Shin https://ryanshin.com/The-Fields &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; About&nbsp; &nbsp; Projects The Fields Undergraduate Option Studio at the University of California, Berkeley Collaboration with Dolin W.&nbsp; Advisor: Turan N. <img width="5000" height="5000" width_o="5000" height_o="5000" data-src="https://freight.cargo.site/t/original/i/c3dbfc501120493c47ab101762a3fd8f411b910496198c2191e2524233fae549/180904-Project-Development-Diagram-Ryan-Version-1_o.jpg" data-mid="117757151" border="0" src="https://freight.cargo.site/w/1000/i/c3dbfc501120493c47ab101762a3fd8f411b910496198c2191e2524233fae549/180904-Project-Development-Diagram-Ryan-Version-1_o.jpg" /> <img width="5000" height="5000" width_o="5000" height_o="5000" data-src="https://freight.cargo.site/t/original/i/1eefe954fd9aa6e3e8d792b006d016f00611dea94a13c8378bb1cb2bd20674e5/180904-Project-Development-Diagram-2_o.jpg" data-mid="117757152" border="0" src="https://freight.cargo.site/w/1000/i/1eefe954fd9aa6e3e8d792b006d016f00611dea94a13c8378bb1cb2bd20674e5/180904-Project-Development-Diagram-2_o.jpg" /> <img width="3600" height="3601" width_o="3600" height_o="3601" data-src="https://freight.cargo.site/t/original/i/1626cb1523b91658e92bb73005629dc5f00b3182972247c16e2125d776c8c6f4/180926-OMA-Agadir-Plan-Analysis-Final-01.jpg" data-mid="117757145" border="0" src="https://freight.cargo.site/w/1000/i/1626cb1523b91658e92bb73005629dc5f00b3182972247c16e2125d776c8c6f4/180926-OMA-Agadir-Plan-Analysis-Final-01.jpg" /> <img width="3600" height="3600" width_o="3600" height_o="3600" data-src="https://freight.cargo.site/t/original/i/521c359176466c2655d3b3d16ce4b895233e641e97a55067d81700407548ac66/180926-Barcelona-Forum-Drawing-Final-01.jpg" data-mid="117757146" border="0" src="https://freight.cargo.site/w/1000/i/521c359176466c2655d3b3d16ce4b895233e641e97a55067d81700407548ac66/180926-Barcelona-Forum-Drawing-Final-01.jpg" /> <img width="5000" height="5000" width_o="5000" height_o="5000" data-src="https://freight.cargo.site/t/original/i/bc7226744f4dd1b9640704164a3ab555cc423ef80580f9480c4899a2bc59ee1f/180910--Floor-Plan-1_o.jpg" data-mid="117757149" border="0" src="https://freight.cargo.site/w/1000/i/bc7226744f4dd1b9640704164a3ab555cc423ef80580f9480c4899a2bc59ee1f/180910--Floor-Plan-1_o.jpg" /> <img width="5000" height="5000" width_o="5000" height_o="5000" data-src="https://freight.cargo.site/t/original/i/7a0ca9b0a7f136c3affc7fda6e4994e223ef2bbf287edefdc7eef73079367e64/180910--Floor-Plan-2_o.jpg" data-mid="117757150" border="0" src="https://freight.cargo.site/w/1000/i/7a0ca9b0a7f136c3affc7fda6e4994e223ef2bbf287edefdc7eef73079367e64/180910--Floor-Plan-2_o.jpg" /> <img width="5000" height="5000" width_o="5000" height_o="5000" data-src="https://freight.cargo.site/t/original/i/c88a085c10e0ddb5efd03f8352d22482e149f665fd9fe1c2ff99437b2dd7098f/180926-Oblique-Drawing-Final-1_o.jpg" data-mid="117757147" border="0" src="https://freight.cargo.site/w/1000/i/c88a085c10e0ddb5efd03f8352d22482e149f665fd9fe1c2ff99437b2dd7098f/180926-Oblique-Drawing-Final-1_o.jpg" /> <img width="5000" height="5000" width_o="5000" height_o="5000" data-src="https://freight.cargo.site/t/original/i/19ac7238a5534e4a2617f35d5a5fa5446a917f3be6fdfba717d8f77cdffbbc2b/180926-Oblique-Drawing-Final-2_o.jpg" data-mid="117757148" border="0" src="https://freight.cargo.site/w/1000/i/19ac7238a5534e4a2617f35d5a5fa5446a917f3be6fdfba717d8f77cdffbbc2b/180926-Oblique-Drawing-Final-2_o.jpg" /> <img width="3600" height="3601" width_o="3600" height_o="3601" data-src="https://freight.cargo.site/t/original/i/fb7e6a7af17c81640f78a366717502f06efd3294c6ae94fb64ef868322e90835/180910-Conceptual-Drawing-Without-Wall-01.jpg" data-mid="117757155" border="0" src="https://freight.cargo.site/w/1000/i/fb7e6a7af17c81640f78a366717502f06efd3294c6ae94fb64ef868322e90835/180910-Conceptual-Drawing-Without-Wall-01.jpg" /> <img width="3600" height="3601" width_o="3600" height_o="3601" data-src="https://freight.cargo.site/t/original/i/0678f33c30d8f847703b599a3bddc3ada6bf37c4489ea2fd584c7f878dd08f10/180912-Conceptual-Drawing-Final_cargo-01.jpg" data-mid="117757156" border="0" src="https://freight.cargo.site/w/1000/i/0678f33c30d8f847703b599a3bddc3ada6bf37c4489ea2fd584c7f878dd08f10/180912-Conceptual-Drawing-Final_cargo-01.jpg" /> <img width="2400" height="1152" width_o="2400" height_o="1152" data-src="https://freight.cargo.site/t/original/i/9a3d24b09cc4c8333340a685ddad3bbf215880b2b1b318255929b4b819e3a2f5/Model-Photo-1_Low.jpg" data-mid="117757153" border="0" src="https://freight.cargo.site/w/1000/i/9a3d24b09cc4c8333340a685ddad3bbf215880b2b1b318255929b4b819e3a2f5/Model-Photo-1_Low.jpg" /> <img width="2400" height="1210" width_o="2400" height_o="1210" data-src="https://freight.cargo.site/t/original/i/cd077ba84dd84e6b3d0027bc9a342886ccaee796fe813406264674ec4b916aab/Model-Photo-3_Low.jpg" data-mid="117757154" border="0" src="https://freight.cargo.site/w/1000/i/cd077ba84dd84e6b3d0027bc9a342886ccaee796fe813406264674ec4b916aab/Model-Photo-3_Low.jpg" /> https://ryanshin.com/Projects Tue, 31 Aug 2021 15:11:05 +0000 Ryan Shin https://ryanshin.com/Projects &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; About&nbsp; &nbsp; Projects